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Up with Up


Yes, that was a lazy title, but if you don't like it, write your own. Pixar continues to create quality productions that reinforce the fact that if you don't have an engaging story and characters to care for then you ain't got nothing--hear that George Lucas? There are probably three million sites to check out a synopsis for the movie so I'll skip it. I will rather touch on a couple of thematic elements found in this "cartoon." 1) Dreams deferred and readjusted. Carl, the elderly main character, (Kudos to Pixar for showing that the elderly can carry a "children's" movie) has to come to grips with the fact that his dreams of adventure, with his wife Ellie, did occur, just not in the way he had expected. Perhaps this is better thought of as contentment, especially in such an age as ours. The other main character, Russell, a quasi-Boy Scout (he's a Wilderness Explorer) comments that the things he remembers most about spending time with his absent father are "the boring things." Quotidian details add up to a life well-spent. 2) The importance of friendship. After Carl's wife dies, he becomes a cantankerous crank, committed to his house (against the purchasing designs of some corporation) but nothing else. Having Russell, involuntarily, join him in his quest to visit Paradise Falls in South America. They both come to rely on each other, Russell becomes for Carl someone to care for (Kevin, the bird does too), and Carl becomes a patron (in the old sense) for Russell.
Not only can Pixar deliver a great story, but they continue to amaze with their visuals. It isn't the flashy stuff that attracts, it's the tiny details--the pattern and texture of fabric, the stubble on Carl's chin--that complete the viewing experience.
Lastly, I have to comment that when we first meet Alpha the dog and his thought translator is on the wrong setting, my wife and I couldn't breathe from laughing so hard. The scene proves that incongruity is a key to comedy. My children found the scene funny, but nowhere near the level of hilarity as the adults. Maybe for you too?

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Worth Quoting

There are but three social arrangements which can replace Capitalism: Slavery, Socialism, and Property.                                                                                                 --Hilaire Belloc                                                                                                The Servile State

Good reads of 2009

I haven't made a list like this in a while, and I believe I discussed most of these on the blog as I finished them, but I thought I'd make a handy short-hand list for you and me. These are only in the order I read them and do not indicate any preference. The Open Door * Frederica Mathewes-Green The Children of Hurin * J.R.R. Tolkien The Omnivore's Dilemma * Michael Pollan Agrarianism and the Good Society: Land, Culture, Conflict, and Hope * Eric T. Freyfogle Wonderful Fool * Shusaku Endo Up the Rouge: Paddling Detroit's Hidden River * Joel Thurtell and Patricia Beck Johnny Cash and the Great American Contradiction: Christianity and the Battle for the Soul of a Nation * Rodney Clapp (I started the following in December, but I haven't finished them--so far they are excellent: Love and Hate in Jamestown * David A. Price and The Picture of Dorian Gray * Oscar Wilde) Try one of these--let me know.

Independent Women?

      During breakfast today I was reading an excerpt from a play in The New York Times Magazine (I know, I was a day behind and read Saturday's edition yesterday) entitled Rust .  The play, written by a professor at Grand Valley State University, here in Michigan, is a nonfiction drama about the closing of a GM plant in Wyoming, MI.  The play itself sounds interesting and I enjoyed the excerpt, but what caught my eye was something a character said.  The character is "Academic" and plays a historian and guide to the playwright, also a character.  He is explaining the rise of the automobile factories and the effect of the car on American culture.  He says, "Women became independent, they go from producers of food and clothing to consumers of food and clothing."  This was meant as an earnest, praiseworthy point.     I would counter with "How far we've fallen."  To say that a woman (or a man) is independent because she has moved from producer to cons