"A harsh, cruel world."

While Kazuo Ishiguro's Never Let Me Go is about clones, it isn't very science-fictiony. In fact, outside of a few instances of jargon and that the main characters are clones you'd never get that futuro-techno feel at all. The story takes place in the 1990s in England, but the whole story is character driven rather than by plot. The narrator, Kathy H., recalls her life growing up at a school (for clones) called Hailsham. The overall mood of melancholy and flatness informs her storytelling. You get the sense that much is missing from these people's lives. And it is, but then what would you expect from a slave class? I won't give away any more (not that there is some big shocking ending--there isn't) but if you're looking for a novelized form of Gattaca or The Island, this isn't it. Ishiguro is interested in how a clone would live out her life conscious of what she was. And he does it well. Not fast reading, not gripping, but quiet and deadly serious for these and not too far from now times.

"We're all afraid of you. I myself had to fight back my dread of you all
almost every day I was at Hailsham. There were times I'd look down at you
all from my study window and I'd feel such revulsion. . . "
It's not evil if it brings so much joy and happiness, right?

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Worth Quoting

There are but three social arrangements which can replace Capitalism: Slavery, Socialism, and Property. --Hilaire Belloc The Servile State

Good reads of 2009

I haven't made a list like this in a while, and I believe I discussed most of these on the blog as I finished them, but I thought I'd make a handy short-hand list for you and me. These are only in the order I read them and do not indicate any preference. The Open Door * Frederica Mathewes-Green The Children of Hurin * J.R.R. Tolkien The Omnivore's Dilemma * Michael Pollan Agrarianism and the Good Society: Land, Culture, Conflict, and Hope * Eric T. Freyfogle Wonderful Fool * Shusaku Endo Up the Rouge: Paddling Detroit's Hidden River * Joel Thurtell and Patricia Beck Johnny Cash and the Great American Contradiction: Christianity and the Battle for the Soul of a Nation * Rodney Clapp (I started the following in December, but I haven't finished them--so far they are excellent: Love and Hate in Jamestown * David A. Price and The Picture of Dorian Gray * Oscar Wilde) Try one of these--let me know.

Independent Women?

During breakfast today I was reading an excerpt from a play in The New York Times Magazine (I know, I was a day behind and read Saturday's edition yesterday) entitled Rust . The play, written by a professor at Grand Valley State University, here in Michigan, is a nonfiction drama about the closing of a GM plant in Wyoming, MI. The play itself sounds interesting and I enjoyed the excerpt, but what caught my eye was something a character said. The character is "Academic" and plays a historian and guide to the playwright, also a character. He is explaining the rise of the automobile factories and the effect of the car on American culture. He says, "Women became independent, they go from producers of food and clothing to consumers of food and clothing." This was meant as an earnest, praiseworthy point. I would counter with "How far we've fallen." To say that a woman (or a man) is independent because she has moved from producer to cons

I Am Not Hamlet

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